About the Museum
The Buffalo Nations Cultural Society began as an organization in the 1960’s and 1970’s informally with the objective of establishing a cultural park and educational facility near the mountains to promote understanding of First Nations cultures, both within their communities and among international visitors to the region.
The concept of Buffalo Nations began well over seventy years ago, with Stoney Nakoda Medicine Man Chief Walking Buffalo and a small entourage consisting of Chief David Crowchild, Daisy Crowchild, Edwin Crane, Joseph Kootenay, Jimmy Kaquitts, Henry Holloway, through Moral Re-armament World Journey for unity and walk together in peace. With these goals in mind, and with the specific mission to promote cultural exchange and awareness, the Buffalo Nations Cultural Society was incorporated as a not-for-profit organization in 1989.
The Society is composed of members of Treaty 6 and 7, and the Metis. Chief Walking Buffalo was at Blackfoot Crossing with his family for the signing of Treaty 7, and was an ambassador for the First Nations peoples around the world. These Nations include the Blackfoot Confederacy Siksika(Blackfoot), Piikani(Peigan) and Kainai(Blood), Tsuut'ina(Sarcee), Stoney(Nakoda) and the Cree. The Buffalo Nations Museum is a stand-alone division of the Buffalo Nations Cultural Society.
The museum is owned and operated by the Buffalo Nations Cultural Society and run by a Board of Directors of the Luxton Museum Society o/a Buffalo Nations Museum, in the interests of the First Nations people of North American, and for all peoples.
The Buffalo Nations Museum is dedicated to the appreciation, interpretation, demonstration and display of the cultures, traditions, and value of the First Nations people of North America and their trading partners. The museum seeks to show how the people of this land lived and adapted to their surroundings and each other prior to and after contact with European culture.
It is upon these principles that the Buffalo Nations was founded and continues to promote through interpretation, education, and display of cultural artifacts, visuals, and documentation.
The Buffalo Nations Museum provides a link between the past and the present by demonstrating that native arts and culture is alive and flourishing today!
The History of Stan Cowley
When Stan was a young boy, he grew a passion for the cowboy lifestyle with the Calgary Stampede and his friends from the Indian Village. He was just 13 years old when he became Blood Brother to Chief Walking Buffalo in a Sundance Ceremony, and throughout his life became an Honorary Chief of the 5 tribes of Treaty 7. The vision given to him was “to teach the people that they were like the trees of the forest, all different, but standing in harmony with one another”. His dream was always to create a Native Cultural Park in the Bow Valley.
Stan Cowley’s initial vision for the Buffalo Nations Cultural Center was developed alongside Chief Walking Buffalo (Stoney Nakoda), Chief David Crowchild (Tsuut’ina),Tom Yellowhorn (Piikani) and Arthur Ayoungman (Siksika).
Stan Cowley pursued his friendship and kinship with these native elders in the Calgary area, while Norman Luxton pursued similarly in the Banff area. Stan Cowley’s father, Norman Cowley was the head of the display department for the Hudson Bay Company in downtown Calgary, and assisted as an artist for the Luxton Museum mannequins, displays and backdrops. Stan’s brother Ray Cowley also dedicated his artistic skills for twenty years as Curator of the Buffalo Nations Museum from 1992 to 2012.
It’s interesting to note how often like-minded individuals, aligned with similar ideas and pursuits, goals and aspirations, eventually coalesce into something tangible ~ the Buffalo Nations Museum.
It was at Rafter Six Ranch where Stan Cowley had the opportunity to really grow into an Alberta Icon. He was always willing to share his stories, laughter, and love for people through his “Passing of the Legends” museum and the Buffalo Nations Museum. Along with his wife Gloria and their family, Stan shared their genuine hospitality and passion for tourism in the most natural ways.
The Buffalo Nations Museum is dedicated to the appreciation, interpretation, demonstration and display of the cultures, traditions, and values of the First Nations of North America and their trading partners. The museum seeks to show how the people of this land lived and adapted to their surroundings and each other prior to contact with European culture, and how they continued to adapt after European influences.
The Buffalo Nations Museum provides a link between the past and the present...demonstrating that aboriginal arts and culture is alive and flourishing today.
The History of Norman Luxton
Norman Luxton was born November 2, 1876 at Upper Fort Garry at Red River (now Winnipeg, Manitoba). He was the second son of six children born to Sarah Jane and William Fisher Luxton. Norman’s father, a well-known Winnipeg pioneer, emigrated from Devonshire, England, arriving in Ontario as a young man. He initially taught school but later became involved with the newspaper business. In 1871 he was sent to Manitoba as a special correspondent for the Toronto Globe and in 1872, with partner John A. Kenny (a retired wealthy farmer), began The Manitoba Free Press (now known as the Winnipeg Free Press). The newspaper became famous for its advocacy of reform politics and liberal views, which appealed to the young sixteen-year old Norman, who worked for a short time at the paper.
Norman developed an early fascination for nature and native culture, and after working for a short time at the Free Press, he joined the Indian Agency at Rat Portage (now, Kenora, Ontario), in 1892, as an apprentice clerk. He found the clerical duties to be rather uninteresting, but the expeditions up north for the purpose of making treaty payments to the various tribes, to be quite exciting. After working with the agency for a short time, in 1893, Norman decided to head to the Cariboo Gold Fields to make his fortune. It is hard to know if he did make it to the gold fields, but Norman did make it to Calgary and worked for the Calgary Herald for the next eight years. In 1901, Norman moved west to Vancouver where he briefly worked for a weekly gossip sheet called, Town Topics. While in Vancouver, Norman met Captain John Voss, an adventurous, eccentric old sea captain. The two determined and kindred spirits planned a most daring and prodigious voyage. They would purchase a 100-year old Nootka dugout canoe and sail it around the world. What followed was an adventure that embodied Norman’s energy and spirit, attracting international attention, and one that would literally change the course of Norman’s life.
Norman and Capt. Voss boarded their 30-foot red cedar log dugout, the “Tilikum”, and sailed from Victoria, B.C. on May 20th, 1901. They had rigged the vessel with a small cabin and storage areas for food and water. After months at sea and numerous violent storms, the Tilikum arrived in Tahiti, then Samoa, and onto Fiji, but it wasn’t the stormy waters that presented the only concerns. Continuous verbal confrontations between the two men and coral fever ended Norman’s adventure. Voss continued onto New Zealand, Australia and Cape Town, eventually arriving in London, England on September 2, 1904. Norman remained in Fiji, recuperating, eventually arriving back in Canada where he moved to Banff, Alberta in hopes of regaining his health.
Norman arrived in Banff at the age of 26, and it is where he remained for the next 60 years, until his death. At the time of his arrival, Banff was supporting a sizable tourist population and Norman realizing the interest Banff’s natural splendour held for visitors soon began tapping into this interest. He started many new business ventures, including the founding of Banff’s first all-season hotel, the King Edward. Two very notable businesses were the Crag and Canyon newspaper, which he published from 1902 to 1951, and the Sign of the Goat Curio Shop and Free Museum. Norman also developed the Banff Indian Days, an annual event that ran successfully for well over 70 years and eventually founded the Luxton Museum of the Plains Indian, a lifelong dream.
The Sign of the Goat was a combination Indian curio shop and taxidermy business and through this shop Norman was able to sell “Banff” to the visitor. Both the taxidermy specimens and the Indian curios were extremely popular with the visitors. Eventually the Sign of the Goat became a landmark in Banff and provided Banff’s tourist population with its souvenirs. It also helped to establish a strong relationship between Norman and the Stoney people. Norman provided rations and commissions for the local natives to produce crafts for his shops, assisted with food when needed, and acted on their behalf with the government when political issues arose. The Indians depended upon Norman for support and in return Norman depended upon them to make his businesses successful. Norman’s involvement with the Morley Trading Post, and the Stoney Indians of the Morley Reserve grew in strength after he met and married his future wife, Georgina McDougall.
Georgina McDougall was the daughter of the well-known trader and rancher David McDougall and Annie McKenzie McDougall of the Morley area. The McDougall’s were a well-established Alberta pioneer family, David McDougall being the second son of the Reverend George McDougall, Methodist missionary active in the Alberta region since the 1860′s. David McDougall was initially employed as a fur freighter for the Hudson’s Bay Company, however, in 1874, he and his wife decided to establish themselves at Morley as independent traders, opening a post to serve the Stoney Indians and support the Mission. The eldest daughter of Annie and David, Georgina was known as the “first white child born in Alberta.” Once settled in the Morley region, the McDougall trading enterprises flourished and when a young woman, daughter Georgina assisted in the management of her father’s Morley Trading Post.
The Luxton’s were prominent members of the Banff community and well respected. Norman was an active member of the Banff Chamber of Commerce holding substantial political influence. Georgina was always involved with the community hosting various charities and functions. Those who knew Norman, knew he pursued what he felt was important. He was considered to be the classic “Indian” man who traded with the Indians, amassed a large personal collection of native artifacts and helped to promote the traditions of the culture.
In the early 1950′s with the assistance from friend Eric Harvie, founder of the Glenbow Museum in Calgary, Norman began to realize his lifelong dream of building a native arts museum. He began his project by moving the old Banff Gun Club cabin to its present location and erecting the first of four rooms of the museum. By 1955, the second addition (larger than the first) was added, followed by the main structure in 1957. In 1960, the far-east room was finally completed. The collection of native curios and artifacts finally had a home. Sadly, thereafter, Norman Luxton, Banff’s most celebrated citizen, passed away on October 26th, 1962. But not before he was able to realize his dream and see it grow to fruition. It was known as the Luxton Museum of the Plains Indian at that time and although it has changed ownership since then and is now known as the Buffalo Nations Museum, the spirit Norman embodied for the museum still holds true today.
The Eleanor Luxton Historical Foundation
The Whyte Museum of the Canadian Rockies Archives and Library